Mystery Writers

When I was a tween I found Stephen King. Over the next years I read everything he’d written (including Danse Macabre which, let’s face it, why did I read Danse Macabre?). This morning I was reading one of the myriad articles slamming GRRM for his private/rude/secretive relationship with his readers, and reflected on what a different relationship I had with authors 25+ years ago.

I distinctly remember going to the local library and pulling out a thick tome called Who’s Who. I looked up Stephen King. It mentioned some of his popular works, then listed some works-in-progress. I still remember how excited I was to get a glimpse into a writer’s future. I knew something that few others did–Stephen King was working on a book called The Plant. Now, as far as I can tell, The Plant never came out (or its title was changed, or it was a short story/novella and not a full novel) but I’m still connected to the excitement of that discovery. All I had were the lists of “Other Works” at the front of the paperback, and the dutiful checking of store shelves for one I’d missed.

So, back to Danse Macabre. Why did I read Danse Macabre at 12? Because the only way to connect with a beloved writer was by reading his published work, even if it was nonfiction. The writer was a person who could only be connected to by reading, like a long-distance relationship with bursts of intimacy punctuating a state of yearning, hope, and anticipation.

It’s a different world now. I read dozens of tweets a day by writers. I know their works in progress in real time. I read interviews, and op-eds, and blog posts. I know when they’re having a bad day, I know their kids’ names, I know their tastes in whiskey. Shamefully, I connect with writers without ever reading their fiction. I have also stopped reading writers’ fiction I liked because I didn’t like their politics or what I gleaned of their personalities.

This isn’t a nostalgic screed against social media culture, but it is a lament for the lost experience of surprise and discovery and covert book knowledge. A eulogy for the discovery of a unexpected book in an unexpected place at an unexpected time. I miss the hunt and the reward that followed.

So GRRM, I hope that you are planning the biggest retro-surprise in history. I hope that you drop the rest of the Ice and Fire series unnanounced. I hope I walk into a bookstore and simply find it on the shelf, sitting there without fanfare, without media storm, without the clerk even realizing what they’ve got.

And if you do that, I promise I won’t tell anyone.

In praise of Percy

The literary society at Columbia’s medical school is named for Walker Percy. He graduated from Columbia, promptly contracted TB from Bellevue and subsequently dedicated his life to healing the soul through literature.

I read The Moviegoer a decade or so ago and it didn’t really strike me one way or the other. However, when Lost in the Cosmos was discussed on a writing podcast (I can’t remember which one or I’d plug it) I picked it up. Well, after three months of inching my way through this dense, horrifying, inspiring, and quizzical tome, I must confess that I’ve been converted to his greatness.

In no way can I do the book justice, but here’s my take:

1. Our experience of the world is determined by symbols

2. We have a symbol for everything except ourselves

3. That isolation from ever understanding who we are is a dangerous tension that will likely destroy mankind

4. While mankind has traditionally immersed itself in erotic engagement with the sublime (God, forbidden sexuality, mystery), in an answer-filled, on-demand world there is no mystery left, no communion with the essence of the Cosmos; instead we turn to sex, alcohol, consumerism, rampant narcissism

5. There is no exit

Damn, I wish he’d been alive for Facebook.

Unidentified Funny Objects 3

UFO-3-cover

The Table of Contents for Alex Shvartsman’s sci-fi humor anthology UFO 3 was revealed today, and it includes a story of mine “The Full Lazenby.” It’s a riff on identity and fandom and celebrity culture.

Being included in this volume is especially exciting for me because…

…it’s a story I started working on for the original UFO. I’m glad that after two years of tinkering it tickled Alex’s fancy.

…I’m a huge Don Quixote fan. This year’s cover exchanges Cervantes’ harmless windmills for an intergalactic threat.

…Piers Anthony is included. Dog-eared paperbacks of his were the currency of my grade school, so basically, he’s a real Author. It’s a thrill to see my work listed next to his.

UFO 3 is available for pre-order (as are the previous great volumes) so be sure to check it out!

It is a pleasure to fail…

Motivation comes from odd places. It’s not uncommon to struggle to find motivation for oneself yet find it easily at the bequest of others. Personal trainers, coaches, teachers, spouses, they exist to not be let down. We project our hopes onto them, make external what is inherently conflicted, and are free to try.

Some years ago, I said that I wanted to write so my daughters would be proud. That mantra felt different somehow, more challenging, more inspiring, than trying to please myself.

Did I mention that my daughters can’t read?

An unexpected byproduct of this quest is the opportunity to fail in their plain view. As a physician they didn’t see the gloom of internship, the doubt of residency, the regret of fellowship. They’re too young to understand (I hope) what the stakes are in my day job.

Writing though, they kind of understand. They get stories. They speak story. They play, breathe, sing, dance, and otherwise subsist on story. They understand someone liking a story and they understand not liking a story. (e.g., five minutes from the end of Disney’s Hercules one turned to me and asked what was happening. I couldn’t blame her).

Weirdly enough, sharing the hopes and disappointments—submission and rejection, an honest BlackList critique, an idea that I can’t make work—is comforting with a four-year-old at my side. I highly recommend one.

Failing and trying are important. Perseverance is an important lesson that’s hard to teach. It’s too coolly handed down as obvious and easy. I’m (kind of) grateful for the opportunity.

Many teenagers don’t even know what their parents do all day, let alone how they got there. I like the idea that my daughters might experience vicarious failure through my many rejections, just as I hope to one day experience joy through their successes.

Perhaps as parents we should all fail more.

Tomorrow and tomorrow and tomorrow

In life, there are days where coincidence gives form to this life.

Wow, you’re the second person to say I look like…

That’s the third time I’ve heard that song…

When you’re a shrink, this becomes a sort of malice. You do a double- or triple-take only to find something you wish no one had to experience, no one had to suffer, ever.

I’m sure oncologists and orthopedists have the same issue.

It’s lymphoma week!?!

Another slipped disc? Really?

As a shrink, you start to wonder what kind of evil dick runs this place. Suicide, paranoia, cutting, loss, humiliation…coming across a series of suffering, a cohort of misery, sucks.

You go to bed fearing the morrow.

A Work in Progress…

Here’s a quote from a 2005 writing class student autobiography:

I’m both proud and ashamed to say that I only read fiction. I can’t remember the last non-fiction book I finished but I love novels. It’s not surprising that most of my writing projects take on the form of novels. Unfortunately, over the years I’ve learned that my scope has significantly exceeded my skill and discipline. I have three half-finished novels that take up space on my hard drive. Two of them get picked up every two months and revised or mutated, but rarely added to. They’re both very alive in my head, just not so much on paper.

And so I wrote. I wrote and I wrote. By 2008, I finished the first full draft of a novel and even sent it around. I dreamed of movie deals, and agent interest, and any interest…

Well, I revised. And I did a NaNoWriMo for a new novel. And I kept taking classes. In the spring of 2010, at a college reunion, I said aloud: I want to be a science-fiction writer.

It was a weird thing to say. I read a lot of literary fiction. I’m not a cosplayer, don’t own a lightsaber. Yet, most of my preoccupations were highly speculative (a word I wouldn’t learn for a while to come). 

2010 sticks in my mind because, despite lack of publication, or writing routine, or anything that might possibly justify the title “writer,” I was bombastic enough to proclaim: “I shall be writer.” It was a moment of naive candor and I’d said it to other people. I was on the record with myself. I was accountable.

Time has snuck past me. I’ve be cranking away for somewhere between five and twelve years and it feels like I’ve both come a long way, and that I’ve barely begun. 

Newsflash: 2013 to end soon

It’s December. Seriously. December.

Excellent news, though. Nature Futures will be publishing a short of mine called “No Fury Like a Woman Cold Called”. It’s an homage to PK Dick crossed with a little Douglas Adams and a dash of David Ives. Or something. So that’s super-cool.

I spent this year pursuing higher education in the form of a Certificate in Television Writing from the Writers’ Program at UCLA Extension. Managed to cram that puppy into nine months and have turned out my first spec (Burn Notice so it’s already stale) and a spec pilot Shrinks (I want to go with Mental, but it was the name of a series just four years ago, who knew?). So that’s kept me busy. It’s nearing the launchpad for general acclaim-seeking after a pro critique and a few more drafts.

Yesterday I had inspiration for the novel that’s been gathering viruses on my hard drive. It’s got a killer first 150 pages and a fun but unsatisfying ending. I’ve been stuck on this simple question: how does society unknow something? That’s all I had to figure out. And maybe I have. TBD.

I haven’t been nearly as aggressive with short fiction as I should. Maybe 2014 is a year to do that. I have a YA dystopian thing that keeps clawing its way into being, six years after that market got flooded.

Finally, I have this crazy idea I’m calling mindpunk for the time being. Freud. Einstein. Nineteenth century Vienna. Physics. Repression. History. That one’s a bugger.

Vita brevis, ars longa, occasio praeceps, experimentum periculosum, judicium difficile

The Bad Math of Doctor Who

I’ve been a big Stephen Moffat fan since Coupling. That show was pure brilliance and, to my mind, the most tightly written sitcom ever.

Comedy writers talk about math—the structure of emotional connection. In comedy, that’s laughter. Each show has its own rhythm. Family Guy and 30 Rock play fast and loose with joke set-ups, while a good Seinfeld episode plays four set-ups to their extreme ends for laughs.

Coupling felt like perfection. Which is good and bad. There was resonance between the story-structure and the jokes with perfect call-backs and clever, tight resolution.

The bad thing is that such writing runs the risk of feeling like math. I think of volleyball. Bump-set-spike. Bump-set-spike. Bump-set-spike. A harrowing rhythm to maintain on the court, but a dull spectator sport.

Cleverness is intellectually satisfying, but emotionally neutral.

Moffat is a master of math. Coupling is brilliant. Sherlock is incredible. Doctor Who’s Blink and The Girl in the Fireplace are fantastic. but his run as showrunner is plagued by unsatisfying drama. Things (mostly) fit together intellectually but it’s kind of blah.

A Good Man Goes to War? The Wedding of River Song? The Pandorica Opens? Dramatic titles for sure, but where was the drama?

Moffat thrives within the sitcom and mystery structures, but sci-fantasy drama is too flexible. The limitations are variable (especially death) and the characters are moved around like chess pieces. The reasons (barely) make sense but I leave most episodes with a shrug. 

The Day of the Doctor was no different. The morning after I’m excited about what will come next on Gallifrey, enjoyed the banter, but I’m underwhelmed by any of the “big” stakes that were supposed to be present.

I miss Rose, Donna and (especially) Martha. Jack Harkness, even the one-off Lady de Souza. They were characters and not math. They made choices, they won, they lost. 

My Process: States of Being

  • Potentially Awesome. A flash of inspiration. The possible forms it might take are endless—a decalogy, a movie franchise, an epic poem. Laughter, tears, bitter insight into How The World Really Works. It’s all there, and it’s mine to plunder.
  • Awesome. First draft done. From nothing to something. Gold has been mined but not refined. Is it rough? Sure it’s rough, but its beauty shall blind anyone who dares read it! Let it sit briefly, before the world beholds its wonder!
  • Decidedly Not Awesome aka damn, this needs a lot of work. Three weeks after the first draft, doubts have arisen only to be confirmed when the drawer is opened. What was exciting has been muddled and lost. It’s going to take a lot of buffing to polish this turd…
  • Okay. One month later. Re-written, shown around, re-written again. It can no longer be denied that it is a story. Maybe it’s better. After all the work, perhaps it is better than originally hoped, a submission ought to give me the answer…
  • Crap. Absence may make the heart grow fonder but two months in slush limbo only bring its glaring faults to the forefront of my mind. I can’t bear to open the file and confirm the spelling errors, logical inconsistencies and derivative prose. Yet to know that I can neither correct its faults nor protect myself from a reader’s umbrage…shameful.
  • Confirmed Crap. Rejected thrice!!! It doesn’t work. They can’t use it. They may want to see other things, but never again this vile piece of shite! Away it goes, banished to corners of the hard drive saved for tax receipts and college one-acts. Never again will it see the light of day.

Until…Two years later. I click on a document folder whose title I don’t recognize. The story within, well, it’s got a certain whiff of inspiration. Sure, it’s buried by tonal issues and the pacing is flabby, but with a little work…

Repeat.